Showing posts with label dark shadows. Show all posts
Showing posts with label dark shadows. Show all posts

Tuesday, May 15, 2012

Dark Shadows: A Review (with spoilers)


First, a word of caution, IF YOU HAVE NOT SEEN THE FILM, PLEASE DO NOT READ THIS. IT CONTAINS SPOILERS.



My love of Dark Shadows was something that grew over a period of years. I watched it on VHS as a child and as a teenager, and eventually I got to watch the entire run starting on DVD in 2001. I saw a few episodes of the 1991 version when it originally aired, but still had to wait for DVD release to fully appreciate it as well. I won’t bore readers further in this post, but if you want to know more about my fascination with the series, click here.

For better or worse, I can best sum up my feelings by saying that though I didn’t love it, I likewise didn’t hate it.

My main issue was with Angelique. Eva Green is wonderful, but this version of Angelique was hard to take seriously. I wasn’t afraid of her, and I didn’t see her as much of a threat at any point in the film. 



The original Angelique portrayed by the still gorgeous Lara Parker scared me half to death. I hated Reverend Trask with a vengeance, but I was cheering him on when he exorcised her. Angelique was pure evil. Her character did become more enjoyable as they made her more complex, but no matter what incarnation she was in, she was frightening. Lysette Anthony was equally terrifying in 1991.



This Angelique (called Angie through most of the film, and doesn’t that tell you something right off?) was just too cute and hip and quirky. I disliked her, but I didn’t hate her and want her to get what was coming to her. I really liked some of the special effects with her at the end of the film as she crumbled and offered her shattering heart to Barnabas, but her death left me shrugging and murmuring, “whatever.”

I also had issues with Julia Hoffman. In the series, Julia and Barnabas began as enemies and then eventually bonded. I always loved their incredibly complicated relationship. Their relationship in this film was one dimensional and quite frankly just plain silly. I almost wish they’d just cut her out altogether after seeing what was done with her incredibly rich and intelligent character.



And dear Barnabas. I adore Johnny Depp, and his take was interesting, but it left me totally flat. Watching Jonathan Frid flub a line and look straight at the teleprompter while a boom mic hovered overhead, flies circled the actors, and a crew member stepped into shot proved more moving, IMHO. I absolutely adored Jonathan Frid and the sincere humanity and emotion he brought to Barnabas. Lots of things can save a show from being cancelled, but how often does an actor do it single-handedly? 




I liked Ben Cross a lot in the 1991 version, and I even enjoyed the clips I have seen of Alec Newman as Barnabas in the 2004 pilot that was not picked up.

But now onto the positive. I absolutely adored the opening scenes from the 18th century up through Vicki’s train ride into Collinsport. Beautiful scenes. The opening credit were fabulous and definitely gave me hope.

Michelle Pfieffer made my day as Elizabeth. I really thought she was spot on. And Jonny Lee Miller could pass for Louis Edmonds’ son any day of the week with those facial expressions. I liked what they did with Carolyn, up until the very end of the movie. I loved her moodiness and general attitude. Willie had me laughing at times, but mostly he blended into the background. Poor David and Victoria got very little screen time, but I liked what I saw. And Josette's ghost came close to making me feel like I was watching an actual episode of Dark Shadows.

Jonathan Frid’s cameo, unfortunately, was so brief it was easy to miss. My husband literally did miss it. However, it was heartwarming to see some of my favorite people on the big screen. I’m hoping for some deleted footage on the DVD. (Yes, I am going to buy it, if that colors my opinion one way or another for anyone.)

The ending was a bit of a mess. Just too much going on, to me, especially considering how slow the rest of the film was. I was very disappointed that, given all the allusions to David’s mother, more was not done with her. When I saw David confront Angelique surrounded by fire and talking about his mother, I was expecting Laura Collins the immortal Phoenix, not a watery ghost. And Carolyn suddenly wolfing out? I just didn’t see the point. Special effects were amazing though, and I thoroughly enjoyed the way Collinwood came to life in the finale, but still not an impressive ending.

All things considered though, I was smiling at the end when Barnabas and Josette finally, for once, get a happily ever after there at the bottom of Widow’s Hill. We spoke with a fan who grew up watching the show as we left the theater, and she said she was “finally satisfied” on that point too.

So, there it is. One fan’s opinion, take it or leave it. *cue the Robert Cobert music*



Thursday, April 19, 2012

RIP: Jonathan Frid, My Favorite Vampire

I love vampires. I haven't written about them much since 2010, but I still love them. This love did not grow after reading Bram Stoker or Anne Rice as a teenager. It started in 1989 when I found Dark Shadows on VHS at the public library.

For more of my thoughts on its influence, check out my blog from last June here.

I was deeply saddened to hear about Jonathan Frid's passing last week, and following so soon after the passing of Davy Jones. Two of the most important figures from my childhood are now gone. Right now, I'm deeply entrenched in the Leviathan storyline, and watched episodes 962-964 last night.

If I have one comfort, it is that Dark Shadows will live on. It is not going anywhere any time soon. It was the first soap opera to ever achieve syndication after going off the air. It was one of the very first t.v. shows to have its full run released on VHS, then DVD. It was also the first show the Sci Fi channel bought when the channel started (long before it became SyFy).

House of Dark Shadows and Night of Dark Shadows didn't do very well in theaters. The 1991 revival with Ben Cross only got one season. The 2004 pilot with Alec Newman did not get picked up by the WB. And then of course we lost Dan Curtis, but even that couldn't stop Dark Shadows. The characters are amazing and always will be, and the fans are equally amazing. And no matter what the Tim Burton film is like on May 11, Dark Shadows will live on.

Need further proof? How many cancelled 1960s shows have brand new comics coming out right now?

Click Here for More Info

We will all miss Jonathan Frid, but Barnabas Collins will live forever.





Tuesday, June 28, 2011

My Return to Collinwood




Yesterday marked the 45th anniversary of Dark Shadows. As I watched episodes 561-567 last night I began thinking about how much the show has influenced me. Dark Shadows had everything—romance, horror, fantasy, science fiction and adventure filled those candle-lit hallways and misty graveyards. Barnabas Collins (portrayed by Jonathan Frid) was my vampire, a tortured Byronic gentleman with a tragic past and a complex personality. He was introduced as a temporary character, but he soon saved the show from cancellation, and it’s easy to see why. Barnabas wasn’t a two-dimensional monster. He was an intriguing character who terrified and enchanted the audience. He always kept me emotionally engaged. I wanted to stop him when he tried to bite Maggie Evans, but then I grieved with him when he begged his lost love Josette du Pres to appear to him as she had appeared to young David Collins. Flubbed lines, crew members stumbling into shots, flies buzzing around the set, and the persistent boom mic shadows couldn’t distract me.

Yet as much as I loved Barnabas, Quentin Collins (David Selby) was my favorite character. He got to do everything—he existed in many different time periods and got to be a ghost, a werewolf, a time traveler, a sorcerer and occultist, an inventor, a temporally displaced amnesiac, a victim of body-swapping, a zombie (just the once), the perfect incarnation of the nineteenth-century rake, and even a supremely brooding version of Dorian Gray. His character alone shows how diverse the show truly was. I was about fifteen when I first watched the entire storyline involving Quentin’s first appearance, a retelling of The Turn of the Screw in which he tries to possess David. I willingly confess I often turned all the lights on as I made my way up to my bedroom some nights. I felt the same way after watching the franchise’s second movie, Night of Dark Shadows, an intoxicating blend of themes from Daphne du Maurier’s Rebecca and H. P. Lovecraft’s The Case of Charles Dexter Ward. Quentin has stayed with me like no other fictional character ever has. I even vetoed “Here Comes to Bride” to walk down the aisle to Quentin’s theme song, “Shadows of the Night,” which I also—in case you hadn’t made the connection—named my blog after.

I could go on and on about the amazing men (and women) of Dark Shadows—and I may eventually do so—but that’s not my point today. Whether I’m writing horror, romance, science fiction or urban fantasy, my mind wanders to Dark Shadows. Most of the characters on the show were both three-dimensional and identifiable (even the villains, most of the time). Even if I haven’t watched a storyline in years the mention of most names brings memories flooding back. Dark Shadows drew on classic literature, supernatural lore, and Dan Curtis’s “what kind of mischief can we get into next” attitude. I don’t get upset about celebrity deaths too often, but I simply couldn’t keep from crying when he passed away in 2006. Dark Shadows inspired me in so many ways. I genuinely doubt my imagination would have developed the same way if not for this show. I was lucky to discover it on VHS beginning in 1989. Most daytime serials never get syndication, let alone release in any other format. Many of them have even been lost forever. I believe Dark Shadows was lucky, but I also think it deserved to endure. Now, if you can’t get over wobbly sets and actors stumbling on lines every now and then while the boom mic comes into shot, you may want to just wait for the upcoming movie. However, if you actually care about great characters and storytelling, I highly recommend this personal favorite.

For more information, Stuart Manning is the true go-to guy: